Date February 13, 2025
Media Contact

‘Looming in the Shadows of Lodz’: An exhibition of memory and history at the Watson Institute

A photographic journey by artist Leslie Starobin that explores Holocaust memory and family history is on view in a public exhibition on the Brown University campus through May 30.

PROVIDENCE, R.I. [Brown University] — In a new exhibition at Brown University, artist Leslie Starobin intertwines past and present with family and political history through a fusion of photography and text that recounts the experiences of two sisters who survived the Holocaust.

The exhibition — which represents the sisters’ struggles after being liberated from Auschwitz-Birkenau and the transmission of their memories to younger generations of their family — is on view at Brown’s Watson Institute for International and Public Affairs through May 30. Titled “Looming in the Shadows of Lodz,” the exhibition is part of the Art at Watson initiative.

A professor emerita of art at Framingham State University, Starobin describes the images in the exhibition as “photo narratives” that combine contemporary photographs of Lodz, Poland, and the Auschwitz-Birkenau camp, with captions derived from the recollections of the two sisters, who are relatives of Starobin.

“‘Looming in the Shadows of Lodz’ underscores how artists interpret history through a personal lens, encouraging viewers to respond based on their lived experiences,” Starobin said. “Inviting meaningful dialogue and reflection, the artworks speak to those familiar and unfamiliar with this chapter in world history.”

Starobin’s journey to creating the exhibition began in 2019 when she traveled to Poland with her husband and children.

“We traveled on the 75th anniversary of our relatives’ deportation to Auschwitz from the Lodz Ghetto, the last ghetto to be liquidated by the Nazis,” Starobin said. “In Lodz, I photographed the Altman family residences, the cemetery where they hid from the Nazis, and the Radegast train station where they boarded cattle cars to the death camp.”

“ The atrocities of the Holocaust serve as a stark reminder of the darkness that can emerge when empathy and understanding are lost. ”

Veronica Ingham Senior Fellow in International and Public Affairs at the Watson Institute

Starobin gathered the sisters’ recollections through decades of conversations with Starobin’s mother-in-law, Tola, and Tola’s sister, Dorka (Altman) Berger. 

“The conversations were scattered over the years,” Starobin recalled. “We might be sitting around the kitchen table, and something would happen late at night, and my mother-in-law would suddenly recall something from the middle of the war.”

To capture these moments, Starobin carried a small digital recording device with her.

Starobin said the exhibition examines how storytelling bridges generations and preserves familial narratives across time and space.

“By featuring one family’s journey, this exhibition aspires to connect with contemporary viewers, some of whom might be uninformed about the Holocaust,” Starobin said. “Unraveling the threads of human memory has long been central to my creative process.”

Some of the photographs in the exhibition appear benign at first glance, like a tree framed by a window. But when paired with Berger’s caption, the context shifts dramatically: “May 1, 1940, began four horrible years in the ghetto. We had one room on the third floor. No running water. No toilets, only in the yard.” 

Veronica Ingham, a senior fellow in international and public affairs at the Watson Institute who was one of the organizers of the exhibition, said the subject matter is timely and important.

“We are living in challenging times, marked by wars, stark inequalities and the urgent threat of climate change,” Ingham said. “Throughout history, other moments have similarly tested our shared humanity. The atrocities of the Holocaust serve as a stark reminder of the darkness that can emerge when empathy and understanding are lost.”

Beyond documenting one family’s history, the exhibition helps to preserve personal narratives that are vanishing from collective memory, according to Starobin.

“In challenging periods, art can serve as an educational catalyst,” Starobin said.

“Looming in the Shadows of Lodz” is on view  through May 30 in Stephen Robert ’62 Hall at 280 Brook St. in Providence.

This story was adapted from an article by Pete Bilderback, a communications and outreach specialist at the Watson Institute.